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CRAFT YOUR JOURNEY
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BEHIND THE SCENES

Tracing the Trails of Time

A KAMALAN PRODUCTION JOURNEY
WITH THE NEW YORK TIMES
New York Times map

KAMALAN X T: THE NEW YORK TIMES STYLE MAGAZINE, MARCH 2017

Every home has a story to tell. The connection we form with home is deep-rooted and not easily forgotten. There are these fascinating homes found in the villages of Chettinad, a massive departure from the typical image of rural India. Streets lined with mansions greet one in a typical Chettiar village, plunging one into memories of an era gone by. In a collaborative effort with kamalan, The New York Times travelled through the region tracing the origin and examining the current state of these mansions.
PROMINENT THEMES
  • History & Architecture

Chettinad

Trichy

Chettinad

The mansions of Chettinad were once hailing glory, homes teeming with activity and purpose, observing generations of a family pass through its colonnades and arches. So involved were they in the lives of their inhabitants that they became family themselves. A secret here, a celebration there, a bruise from a fall, or a fight in the central courtyard – they were privy to these to the extent that it became difficult to draw a line separating the animate and the inanimate, the living and the stationary. Now they lie, forlorn and majestic, collecting memories, and waiting to be found again.

It is to find these keepers of memories that we travelled to Chettinad. Our trip may have taken shape in a matter of a few weeks, but the prospect was nonetheless invigorating. We had a few other interesting ideas of what could be done in the region, but these lost mansions appealed to us more than anything else on the horizon. And so we set off, excited at the prospect of placing a foot at Chidambara Vilas, our first stop on the journey.

After a hefty lunch of local cuisine, we spent some time on a profile of the owner of Chidambara Vilas, shooting portraits of him in the ideal light. As expected when travelling with photographers, our journey was full of unexpected quirks, like climbing up rickety old government buildings, those which look like they would crumble under the stare of a stern cat, to get just the right angle and the perfect light for the image. One such instance was when Anthony happened upon a particularly exquisite façade and he wanted to capture it in just the perfect light. As a result, we were up before dawn perched in front of this mansion, poised to have on film the first rays of light falling upon the façade. And our effort was repaid tenfold when we saw what was born of this ordeal.

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